Creation # 3- Poem (Partner)

Joel Milian                                                                                                                            12/18/12

Rap & Spoken Word

Poem # 2- Partner

The Idea is to be together

It’s the struggle to find love and happiness

For when you’re sad or under the weather

You make each other better and prevent sadness

But the search is long

The search is hard

Some may have already found to whom they belong

Others keep looking somehow

But I ask myself

Who’s to say that she’s not here right now?

Creation # 2- Poem (Destiny)

Joel Milian                                                      12/17/12
Rap & Spoken Word

Poem # 1- Destiny

Born and raised in the city

Instilled values that helped me grow

Lessons learned by trial and error

But what is really known?

Life is Unexpected an everyday is a blessing

Meeting people every day but Family Is always concrete

Like the foundation of a strong brick house

But as you get older you truly realize that there is darkness in the world

And so you gather these lessons, values, ideas and memories and set out

To make your own DESTINY

Creation # 1- Rap

Joel Milian                                                                                                                            12/10/12

Rap & Spoken Word

RAP

Rap is my game and I am the maker

I got an ILL mind son cus im the creator

Call me JMKILLA I am blowing shit up

You’ll be lucky if I holla back in the club

Respect, fame, fortune is here plaguing the mind

Despite obstacles tryn to lead me towards crime

Ordinary nigga, makin the best with wats left

With a mind thats been torn to little tiny bits

But whats there to do when the fame has been reached?

These are fundamental questions that need to be preached

Im not a preacher, call me Reacher as look up to the sky

And these Haters someday players prepare to meet your demise

My work is like art and each line adds to the masterpiece

So if you know what’s good, I dare you challenge me!

Im not a thug or theif, but im tryn to be a rapper

When Im spitting these here bars, glory is all that im after

Im not a thug or theif, but here im tryn to be a rapper

When Im spitting these here bars, glory is all that im after

Critique # 5: (Chapter 10) "Nobody talks about the positive in Hip Hop"

Joel Milian                                                                                                                                     12/14/12

Critique # 5: (Chapter 10) “Nobody talks about the positive in Hip Hop”

Critique:

This chapter of the Hip Hop Wars interestingly describes the positive things that Hip Hop rappers have done such as set up foundations and charities. Tricia Rose also cleverly notes how the media makes note of a lot more negative events involving individuals who are black rather than positive ones that are left in the dark without recognition. The most common headliner in the news is crimes or shooting particularly when the criminal is of African American decent. “Rather, my point is that the shortage of affirmative coverage for already widely popular black celebrities contributes to an overemphasis on negative black actions, conflicts, and misdeeds.” (204) Rose tries to make the point that due to the lack of actual addressed positive actions, leads to the rise in the negative actions addressed. Rappers such as Ludacris, Jay-Z, 50 Cent, Sean “Diddy” Combs and Nelly have all set up organizations, charities and programs that are built for such things as educating  children from urban areas, addressing sicknesses and even providing scholarships and opportunities for those unfortunate children. The issue raised here is whether or not these celebrities and artists are doing these things for popularity reasons, or just to do some good to the community. Nelly for example set up what he called the “Jes 4 Us Jackie Foundation” which is aimed to educate African Americans to donate bone marrow donors. He was supposed to promote the Foundation at a drive in a school but because he degraded countless of woman in his video “Tip Drill”, it angered numerous women who simply wanted to question him about it and so the drive was canceled. Tricia Rose finally brings about the issue regarding rappers use of charities to promote good while they continue to rap about negative issues in their songs, so in sense they are “hypocrites”.

Critique # 4 (Chapter 9) " Where not Role models"

Joel Milian                                                                                                                           12/14/12

Critique # 4 (Chapter 9) “We’re Not Role Models

Critique:

In this chapter of The Hip Hop Wars, Tricia Rose importantly notes how rap music negatively influences its listener’s particularly younger audiences. She states, “This deflection takes place through three oft-repeated phrases: (1) Were not role models; (2) Parents are responsible for their own kids; and (3) If you don’t like what you see, turn it off.” (188) Noting responses from rappers like 50 Cent and LL Cool J who say that because they've personally experienced the topics and issues which their music is centered on, they have the right to rap about it. Rose also discusses how rappers such as Snoop Dogg, T.I. and Lil Kim have gotten into trouble with the law and that act has gotten them more credibility and respect as members of the rap game, and therefore more of an authentic vibe when compared to other rappers. The controversy behind on how rap influences younger audiences includes parents and their responsibility to monitor the things that their children view on television. Networks like MTV and BET state that they do not force anyone to view the content displayed on their channels because anyone can merely “turn it off”. Because of this Rose once again raises another question regarding those working parents who are unable to keep constant watch of their children and the things they see on television because they are busy maintaining their family by making money to pay the bills, buy groceries, etc. Clearly whether it’s the Rappers, the Big-time Network stations, or the parents of the younger audience; it is a blame game that will never be resolved unless we work together to change the values and issues detailed in hip hop for the positive benefit of everyone. 

Critique # 3 (Chapter 8) "There Are Bitches & Hoes"

Joel Milian                                                                                                                             12/10/12

Critique # 3- (Chapter 8) “There Are Bitches and Hoes”

Critique:

In this Chapter of The Hip Hop Wars, Tricia Rose discusses the use of the words “bitch and hoes” in Hip-Hop, and how they have been at the center of much outrage and controversy. The spawn of these terms used to label woman in rap was brought about by the popularity of rappers labeling themselves as “Pimps.” Pimps are individuals who are high in power and along with that the fame, respect, money and woman that compliment that position. Many of today’s most popular rappers such as 50 Cent, Nelly, Jay-Z, Snoop Dog and Lil Wayne commonly use these terms in their music, and that has led towards the vast degradation and common use of the word bitch and hoe. Because they've had personal experience with these types of woman that they refer to in their music, rappers feel like they have the right to use these terms and feel like they are not doing anything wrong. In interviews, they've stated that they are not referring to all African American women and that there are other important matters going on in the world than the use of these words in their songs. Rose also mentions the event involving Radio Host Don Imus and his use of the term “nappy headed hoes” to describe a Rutgers woman’s basketball team. The use of the word caused a lot of stir in the media and a backlash between Imus and Snoop Dog over the words usage. The fact that Sexism thrives in America is also brought about, and the fact that rap which is highly commercialized spreads these songs using these terms everywhere causes a huge problem. Rose concludes the chapter saying that we have to work together and understand where these words derived from in order to reduce their impact.

Critique # 2- Chapter 2 "Hip Hop Reflects Black Dysfunctional Ghetto Culture"

Joel Milian                                                                                                                              12/5/12

Critique # 2: (Chapter 2) Hip Hop Reflects Black Dysfunctional Ghetto Culture

Critique:

In this Chapter of The Hip Hop Wars, Tricia Rose describes how Hip-Hop has negatively portrayed its community. These rappers who are idolized for their music by countless of fans portray an image where it is ok to live a life committing crimes, demeaning women, being violent, and doing drugs. Having these issues as the common topics in their songs makes their audience believe that these are the ways to live a successful life. Tricia Rose states that, “The power of these songs is not only reflective (mirroring the actions and points of view of those who are already invested in street culture and criminality) but seductive as well (in that they encourage young people to emulate the facets of underground street economies”) (71) Rose also makes note of how older forms of music generated by African Americans such as Jazz and Rock & Roll where precursors to many of the common forms of music today. During its introduction, Jazz was also seen as evil music although it is not nearly as seductive as Hip Hop. Importantly noted is also the fact that the topics mentioned in Hip Hop music come from the communities and lifestyles that are prevalent in practically every poor/urban African American community. Because of how common these communities are and how commercialized the songs that talk about these issues are, is causing the audiences to see these things as a normal part of life and not see anything wrong with the injustice taking place.